Isolation Roof Shingles

MZ TIGER ORCHID

Noema Pasquali was born in Rieti February 10, 1978, from an early age is marked by some of her own life experiences that help you decide to do away with the judgments of God ( Artaud) and choose the one and its properties (Stirner).
In principle adopts the pseudonym Stilleben, German "still life" which translated literally means "way of life or quiet life" but had to move in Tiger Orchid in 2009, the year that is completely dedicated to body art with extreme pride aggressive of a tiger (sacred animal ridden by the goddess Durga) and the rare delicacy of an orchid. At the beginning
is close to the body art with a passion for body piercing, which develops in adolescence and later through studies in sociology and anthropology, not feeling the current membership of any in particular, identify and close in a mental fence / no cultural for her, however, is a lover of art in general and some artists in particular, and not just performer: Blake, Milton, Amman, Einstein, Bausch, Abramovic, Artaud, Stirner, Sun Tzu, Machiavelli, Dali, Schiele, Lucifire and Firetusk, Bucks, Queer Riot, Nash, Mishima, characters who have brought forward their ideas and beliefs without losing character and without having concerned about the judgments of others, rejecting the view that art has always been analyzed through socio-political paradigms that have relegated to what is described as middle class.
2005 is the year that sees the work on his own body in order to become a fakir in effect, then collaborates with Freaks Bloody Tricks, The sewing machine, Bloody Cirkus, Kyrahm and Julius Kaiser, Andrea Ropes, of life Theatre of Pain (in honor of Artaud) and then turned to the design Salem's Hole, working internationally as a performer and always looking for new commingling who see interact arts related to the body from yoga to Fakir, the bondage, the grotesque, in constant research and development.

ph Carloemanuele Mezzano

PERFORMANCE
"the deconstruction IRI

The performance is divided into two stages that provide for the transmutation of the subject from geisha to samurai, in the first act, the performer comes on stage impersonating a geisha is dancing on a carpet of glass while simultaneously performing with fans blazing, at the end of the geisha dance off the fans and you spoil your kimono and begin its metamorphosis inscenerà samurai in a kata - through extreme body art - which will end in seppukku.