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Bloody Cirkus

ph Angela Power

One of the most important groups in Italy that offers extreme Body Art. DJ sets, VJ sets and Body performance, perfectly harmonized in a mixture Metro underground to create a unique live in Italy with a lot of suspensions, and hooks, creating dream-like performance over the fakir. Bloody Cirkus, founded by Nicholas Cinalli, professor of anthropology cultural Faculty, Roma3, a researcher at the Catholic University of Lima and UB Barcelona, \u200b\u200bwas born June 24, 2006 and officially adopted in July 2006 as the main contributor, Ezio Gaudio, street juggler, fire-breathing-eating and "doctor smile "at hospitals in the land of Sicily. Bloody Circus comes to fight, but fight differently from all other forms of struggle: the birth to show the real life through a play, starring fake actors, film and theater do not know anything, but are formed only from the experiences of life, marked by suffering daily from the pain of non-marked love, killed by non-compliance. Through spectacle and performance, Bloody Cirkus will be seeking to represent scenes of everyday life, where suffering is caused by the injustice, hatred and disrespect, emerge where those feelings are destroying every human soul, and those same feelings are marked and highlighted by the blood of the wounds that the characters, in turn, procure her own body. It 's so that the body itself becomes the symbol of not if, the body that we have so much and decorations is exposed to the mercy of everyone and becomes a piece of paper written with the blood for all, a piece of meat ready to give himself to those who is in front. The body in its individuality is the cause of many evils. We, however, we make it sacrificial and give ourselves as love and marriage, becomes both message and gift. More of the same life you can not donate, and we, in turn, donate it to the observers, who listens to us and who feeds on our shows. Bloody Circus just wants to be that hatred with love and care with the union of all. Just give yourself can to help, however small, to another! The observer can see bodies and modified suspension, where the steel sticking in the flesh is nothing but the representation of tools and machines that each day we are bound, from which we can not separate us and where we die : those hooks, those who knowingly affect scalpel their meat are the words and gestures that we undergo every day, at work, on the street ... in life!

Bloody Cirkus cooperates with the group Tatanka organizing interactive nights where organizers, artists and participants live together in a unique communication experience with FMC and monkey club, group, organization and cultural and musical events in different social realities. Organizer of electronic music and reggae nights at community centers such as Global Village, Collatino Underground, SanPapie, Strike in collaboration with groups such as Music Evolution, Tatanka, Bugdate, Videosolid. He took part in events such as Decadence (Bologna), Current 93 in collaboration with Scrawl Club and Dr. Sketchy's Anti-Art School, Suspencion Workshop in Zurich (Zurich), Unconventional tattoo circus4 (Torino), Team Suspencion 2008 (Madrid) with Lucas and Sangre Fria Zpiras, Zurich city bombing (Zurich), Dispatch (Roma), Rome Tattoo Convention 2009, an event organized by Extreme Gender Art took part in the film ECC3SSI docu-film on subcultures related to sexuality and the body, directed by Francesco Maria Dominedò.

E 'was supported by groups like Gitane Demone, The Horrorist, Detune X, Hate Corporation, Narkotek, Floxytek, Riotek, and others.

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Section by the collective Idea Destroyingmuros

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JULIUS KAISER

Julius Kaiser - performance artist, drag king performer, filmmaker, art director

It deals with Performance Art from 2007 when he met the artist with whom Kyrahm start a fruitful collaboration that creates a performance test (Human Installations). Along with participating in contemporary art exhibitions and international festivals.

Installation # 1 Human Obsolescence of Gender
Kyrahm Julius Kaiser ph + D. De Dominicis
The corpus delicti @ Horus Okkupati 2007

"OBSOLESCENCE OF SUCH - Installation human # 1" Wins Prestigious Prize Arte Laguna 2009 performance section, after being presented to Berlin and choice in the U.S. among the thirty best performance at international level IDKE its tenth edition, the festival "Gender Exploration" most authoritative in the world.

The performance "The Flower of the Sea", a reworking of the performance "The Jeweler" was presented in 2009 a side event of the Biennale di Venezia "Eco-Sexual Blue Wedding to the Sea" by Annie Sprinkle and Beth Stephens, edited by Jack The Jota Castro at San Crispino (Arsenal Novissimo)

performance "Care" is hosted by the exhibition "Il Filo d'Arianna" by Marco Testa at the Tower in Prendiparte Art Fair Off (Bologna 2009), at the Tower of the Rocca di Albornoz (Narni), and in 2010 at the Gallery for the exhibition TRAleVolte Sectio Aurea Mark Fioramanti.

Julius Kaiser is making the documentary "Kyrahm cry blood" on the project "Fragment-Shares and the fetish of art", the extraordinary artist's research Kyrahm that creates sculptures and paintings using relics from operations of major artists of performance art.

His research has its origins in artistic experimentation and performance that explores the social roles of gender and power relations existing between them and representing them through the language of ironic entertainment Drag King, whose deployment in Italy is the most authoritative exponent. His work with the creative contribution of Kyrahm led to a new artistic perspective to the contents of that investigation, resulting in major international awards.

In 2006 Julius Kaiser Kyrahm and create Extreme Gender Art, a project that promotes innovative performing arts with an emphasis on arts censorship. In this started to collaborate with the scultuore Domenico Pesce, an artist of four of the Palazzo delle Esposizioni in Rome in 1976, among the first to have proposed in the 60s the first performance in the academic world in Italy, together with the crew of extreme body art "Bloody Cirkus" and Lazlo Pearlman, an American artist FtM, promoting the tour "The queer body" that touches Rome, Bologna and Milan with performances and with the convention " Queer explicit body in performance. " They realize the Body Performance Art Festival "mutations Profane" at the theater Clock (2009). In 2010, realize the events "Extreme Female Body Art, 10 artists of extreme body art" and "The naked body and I"

Kyrahm protagonist of the documentary film "My Subversive Love" by Valentina Pedicini selected ECU Int Independent Film Festival in Paris (2010), to 'Int.l Student film festival in Tel Aviv and Bozner Film Festival Days of Bolzano. Co-star of the short film "Child's Play" and the documentary "Women, Born To Be Kings" by Francesca Fini. The protagonist of the documentary film by Claudio Del Lord "brutus, the journey of Julia."

Organizer Kings Village 2008, the first international drag king festival in Italy, Julius Kaiser is on the front lines for the distribution of drag king culture in this country. She holds workshops and seminars, often host themed meetings. Has facilitated the presence of Diane Torr in Italy in July 2008 to coordinate and assist the two workshops in Rome and Milan. In 2006, in Rome, attended organization of the conference Female Masculinity by Judith Halberstam, and the establishment of the first Drag King Project in Italy "Butterfly Kings" and later "Kings of Rome."

Julius Kaiser @ Rai 3 start 11/08/2008 Well

Julius Kaiser spoke of major media including the TG3 RAI and the regional news program Odeon TV, national newspapers such as the Unit, Panorama, Republic, Liberation, Modern Woman, Business Italian, Dnews addition to the main media of the gay and lesbian Italian, American and Norwegian. Women of the Republic has devoted a number of service-coverage in the November 7, 2009. It 'was a guest of RAI-3 in the program "Real Estate Let's start" hosted by Michele Mirabella and Arianna Ciampoli. It 'was a guest of Paola Maugeri per La25 Now airing on La7. He attended the salon of "Comizi of Love" on SKY Discovery Channel. He participated in the transmission of the Day and Transeurope MTV broadcast on All Music.

He studied directing and screenwriting workshops with Robert McKee, Nikita Mikhalkov, Fernando Solanas and Frida Aimmo with whom he worked from 1995 to 2001.

http://www.juliuskaiser.blogspot.com

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Kyrahm

Human Installation # 2 "life cycle" of
Kyrahm ph F. Terrezza

conceptual artist, body artist, performer of the Italian underground scene, art exhibitions and international festivals. "Process performance with a strong emotional impact, where everything that happens is real." Among the works "Human Installation 0: Chrysalis" enclosed in a cocoon for 30 hours in a square in Rome, with connecting web 24 hours on 24, I opened the Festival of Mut-performance measures Profane, I have written and edited by Julius Kaiser and Sylvia Di Ianni. Chrysalis was selected for the Biennale di Ferrara 2010. The meeting with Ron Athey was essential to the realization of Human Installation III: Sacrifice "between extreme body art and Christian iconography, where there is a real crucifixion and cry blood removing needles from the upper brow. The work was inspired by "the Gospel according to Jesus'" by José Saramago. I was involved in writing the thesis and seminars on body art. I created with Julius Kaiser Extreme Gender Art project promoting the performing arts, stage events at galleries, museums and underground. We created "The Human Installation: Obsolescence of the" performance among the selected 30 + beautiful in the world in the U.S., presented at the Theatre of Culture in Berlin and other 3su winner with more than 300 from around the world the competition performance of the Prize Arte Laguna 2009. I set up the Italian art movement Human Installations. The performance "the jewel" was successfully presented at the event side of the Venice Biennale 2009 Blue Wedding. Co-star of "My love subversive" by Valentina Pedicini, a film about the artistic life and private, selected at numerous international festivals. My performances are also in the version of video art produced in collaboration with Alessandro De Palo, documentary also Arnaldo Pomodoro. "Triptych - Human Installations II III I" contains a single performing work and my research is the 2010 winner by voting online for Celeste International Prize (New York) middle class and live performance. The collection and work "EX Corporate" has been made with the original objects from the performances of international artists like Ron Athey, Cuco Suarez, Franko B, Annie Sprinkle, Stelarc. The work is documented in the film "Blood Cries Kyrahm" on my work and collaborations with body artists worldwide. Section, performance art curator of the Museum Magma. Kyrahm spoke to numerous media outlets, print and TV.

Human Installation # 3 "Sacrifice"
of Kyrahm ph Ferpecto

PERFORMANCE: Ingemar
By the action of extreme body art "Ingemisco" of Kyrahm, for the first time in Italy the opera arrived in underground clubs.

In the performance "Ingemisco," the artist is a blonde Venus adorned with white roses stuck into his flesh to a series of needles to bleed. A tenor is waiting at the end of the road, on stage is the renowned opera singer Sergio Panajia that gives voice to his pain. "I chose to use the opera this time because I feel the need for an extension that can induce musical images from references cathartic, divine. "

The performance is a reference to Gina Pane, the artist who painted in the 70 white roses with his blood.

Kyrahm In 2009 developed the performance" Flora "at the Gallery where the Trastart first used needles and roses to adorn his body. On that occasion, Sylvia Di Ianni past the roses from her hair instead of the stems that had needles inserted in his arms, turning his body in the Spring.

The message is intimately linked to women's pain typically obsessive quest for an ideal of aesthetic beauty imposed by our society every day.


The master composer Alessio Side perform the arrangement and the exclusive live performance, is proposing an unprecedented reworking of the Verdi Requiem, creating a new blend of electronic music and lyrics.

Human Installation 0 "Chrysalis" (Chrysalis) and The Cycle of Life - Performance art by Kyrahm from Kyrahm on Vimeo .


Kyrahm cries Blood (Kyrahm weeps blood) from Kyrahm trailer on Vimeo .

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Lucía Egaña Rojas

Femminsta choice and biography, Egaña Lucía Rojas (Chile, 1979) lives in Barcelona. He studied Fine Arts, Aesthetics and Documentary in Chile and Spain.

visual artist, creates installations, performances, videos and collages. His work can be defined as collaborative, social. collaborative, social and residual. II His writings are published on his blog (www.blog.lucysombra.org). How

VJ (VJ TrashMixer ) Lucía working with electronic waste and scrap film, waste technology and culture. E 'between minipimer.tv of the founders, a group of laboratory and real-time video, streaming and free technologies. Even

pornography, post pornography and human sexuality are important topics for his work. His latest project "My sexuality is an Art Creation" is a documentary about the porn scene after Barcelona.

http://lucysombra.org

http://blog.lucysombra.org

FILM
SEXUALIDAD ES MI AN ARTISTIC
Creacion ( My sexuality is an artistic creation)
2011, España, Egaña Lucía Rojas (dir.), 46 minutos. The Post

porn born in the '90s with Annie Sprinkle in response to pornography and its conventional and utilitarian incomplete representation of female sexuality. The Post porn is emerging in Barcelona since the year 2000, creating a major scene. The documentary tells the story of people and collectives who are actively promoting post porn in the city. From seven interviews, investigates the origins, motivations and peculirità of this alternative scene through the search for a representation of new forms of sexuality comes the affirmation that art and political activism can not be separated. "My sexuality is an artistic creation "is an illustrated map of self-produced video post porn, documentation of performances and interventions in public spaces.

Author and Director: Lucía Rojas Egaña
room (interviews): david batlle, lucía Egaña
screenplay and editing: Lucía Rojas Egaña
sound: thomas renaud
music: brian suárez, Odile bright, Andy Clark, Diana J. Torres

Starring: María Llopis
: activist, performer
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Diana J. Torres - Manifesto porn terrorist
Post-op (elena + majo): postop.es
Annie Sprinkle & Beth Stephens - founders of the movement Post Porn Art
Marianissima
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Perrxs horizontales: perrxshorizontales.org

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DIANA PORNOTERRORISTA

Diana J. Pornoterrorista Torres (Madrid, 1981) and multidisciplinary artist. His main instruments are the performances, poetry, BDSM, feminism, and pornography video / post pornography. Develop live shows where the audience is forced to an emotional involvement, political and / or sexual violence. His political activism developed in the context of sexuality, postporno, the queer movement of transfemminismo and prostitution.



"The violence of death, the tragedy of war, environmental disasters, the media violence is the real pornography. However, prevent us from expressing anger, we say that publicly is inappropriate and that thrill is abomivenole a way that would give free rein to the morbid. I call myself an artist, poet and terrorist. Through the terror that can result in a non-regulatory, non-normative sexual act or sexual behavior "depraved" in a society composed largely of people who obey the rules strictly, I will also cause a backlash, largely to those who accuse us of being criminals. Most people when they sense it is necessary to change the system do not know where to start. I suggest that fuck is a great way to start to clear the hypocrites that repress sexual desire, imposing limits on moral and pointing as pathological what is natural. I'm a monster, a freak, and I propose an alternative model of prostitution, claiming the right to squirting, clitoral orgasm and a new pornography, made by people orrendi.Esprimo my desire to attack those who apparently do not seem to hurt, like some Journalists speculate that the image of a dead child. Make a fisting ejaculating outside the prostate and squeeze all the hatred, all anger and all the accumulated repression. Continues non-stop until recognize that, ultimately, the experience was unforgettable .. "

TrashMixer (see Lucia Rojas Engano ) works with electronic waste and scrap film, waste technology and cultural. E 'among the founders of minipimer.tv, a group of laboratory and real-time video, streaming and free technologies.

PERFORMANCE: PORNOTERRORISMO

Post porn queer performance with poetry, video, sound, live sex and bodyart.

http://pornoterrorismo.com

http://pornoterrorismo.com

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MZ TIGER ORCHID

Noema Pasquali was born in Rieti February 10, 1978, from an early age is marked by some of her own life experiences that help you decide to do away with the judgments of God ( Artaud) and choose the one and its properties (Stirner).
In principle adopts the pseudonym Stilleben, German "still life" which translated literally means "way of life or quiet life" but had to move in Tiger Orchid in 2009, the year that is completely dedicated to body art with extreme pride aggressive of a tiger (sacred animal ridden by the goddess Durga) and the rare delicacy of an orchid. At the beginning
is close to the body art with a passion for body piercing, which develops in adolescence and later through studies in sociology and anthropology, not feeling the current membership of any in particular, identify and close in a mental fence / no cultural for her, however, is a lover of art in general and some artists in particular, and not just performer: Blake, Milton, Amman, Einstein, Bausch, Abramovic, Artaud, Stirner, Sun Tzu, Machiavelli, Dali, Schiele, Lucifire and Firetusk, Bucks, Queer Riot, Nash, Mishima, characters who have brought forward their ideas and beliefs without losing character and without having concerned about the judgments of others, rejecting the view that art has always been analyzed through socio-political paradigms that have relegated to what is described as middle class.
2005 is the year that sees the work on his own body in order to become a fakir in effect, then collaborates with Freaks Bloody Tricks, The sewing machine, Bloody Cirkus, Kyrahm and Julius Kaiser, Andrea Ropes, of life Theatre of Pain (in honor of Artaud) and then turned to the design Salem's Hole, working internationally as a performer and always looking for new commingling who see interact arts related to the body from yoga to Fakir, the bondage, the grotesque, in constant research and development.

ph Carloemanuele Mezzano

PERFORMANCE
"the deconstruction IRI

The performance is divided into two stages that provide for the transmutation of the subject from geisha to samurai, in the first act, the performer comes on stage impersonating a geisha is dancing on a carpet of glass while simultaneously performing with fans blazing, at the end of the geisha dance off the fans and you spoil your kimono and begin its metamorphosis inscenerà samurai in a kata - through extreme body art - which will end in seppukku.

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SALEM'S HOLE

The group of Salem's Hole was born in January 2010 on the occasion of the Roman Empire "Female Extreme body art" during which begins with the performances of Elizabeth, Litanies des femmes ".

The original idea was born from the performer Sad Princess Soraya, previously active in the field of performance with the Bloody Cirkus, and Tiger Orchids, fakir known internationally for collaboration with Freaks Bloody Tricks, The sewing machine, Bloody Circus, Kyrahm and Julius Kaiser, Andrea Ropes. They were later joined Antares misandry, a novice in the field of live performances, models for subjects of body art for many photographers and video as well as a nurse and then an expert in the field of health.

Concept Salem want to express that passes through the channels of the extreme body art, using techniques that are just as suspencion body - the suspension of the body following the insertion of steel hooks into the dermis - or by the fakir which is taken to be erected over the glass and sharp edges, slide the burning flames along the skin but also the sewing veils and ribbons onto the body with needles or sharp and Kusher still close body orifices such as eyes and mouth with sutures.

The Salem's Hole are not willing to eliminate gender differences, no attempt to represent the views or suffering to women, but since anyone who carries out the project Salem is part of that universe, it is natural to 'Performances of the internal tools are used and locations closer to the world of women. The body becomes a kind of aleph capable of carrying out one's inner world, reality sometimes full of anguish and pain, his body stained with the blood of the daily violence that turns into blood through the fertile Performance. The aim is to exploit the kinesthetic memory to give observer looking at the memory of what is represented beyond the mind, to the depth of the flesh that pulsates and burns. We would like to point out that in these performances there is no outlet nor liberation from their fears, as many believe. There is no outlet masochistic or any attempt to shape a narcissistic performance of self. First we must make a distinction from what we expose in public and what is the private sphere, of course, the public comes a certain part of us, and is excluded from the most intimate sphere does not mean that you do not communicate through the shows, absolutely, so it's important to bring the viewer directly within what you are doing and feeling during the performance. We expose ourselves, as a whole, not only in the body. The body is the medium through which to act, the body as a channel of expression (other artists work with images, words, with musical notes, etc.) following a path of growth / awareness / liberation in which the suffering is only one component of expressive totality, the suffering, pain, masochism, are culturally induced feelings that are received and experienced with negative sense, especially in Western cultures and Catholic. Pain is something that has been inculcated in cultural and religious - just think of the difference in approach life between a Protestant and a Catholic, a Buddhist or a Hindu - the limits that are imposed are not insurmountable, and the suffering is only one component of the total espressiva.La suffering, pain, masochism, are culturally induced feelings (and I do not think they are the only ones) that are received and experienced with negative sense, especially in Western cultures and Catholic while here you have chosen to live their own bodies and free themselves from dogma imposed. The choice of this medium is based simply on the choice of channel is closer to us and by virtue of the strength and realisicità that only the extreme body art can give. The blood flowing and tear of the body are so real as the pain is real hope that it arrived in the observers.

PERFORMANCE "if I offend / SE defend"

The main theme of this performance is suicide, the stigma and moral judgments in this matter is the subject daily.

The title is an obvious reference all'Amleto - Act V, Scene I - citing the clause "if you defend" that allowed the dead to suicide, to defend themselves from any aggression or threat, could be buried in Christian cemeteries, the two clowns / gravediggers preparing the grave of Ophelia, however, commit the error semantic and transform the self in self defendere offending, the blunder is obviously intended to amuse the public a device that Shakespeare often used to lighten the scenic drama of certain situations, and irony of contemporary society.

The background is that of an old music box, music in which the dancing girls whirling in a circle, linked by three heavy chains anchored to their skin, as the three dancers in a music box in fact. One by one the three dancers are detached from the chain of life and approach to dancing staged their end by means of extreme body art and fakirs and emptying their hearts, actually sewn to the chest, the weight that each is forced to maintain . Who can be

judge of the suffering that brings man to decide for their own end? The aim is to suggest to the viewer to reflect on what people consider every day as cowardice.

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VIDEOARMSIDEA

Videoarmsidea

Videoarmsidea born in 2005 in Venice by the urgency of creating life in a really dry, dystopian, controlled, continuously mediated, corrupt and silent. In addition to Italy we were stationed in France and Spain carrying out different projects. In Valencia, Spain, our research focuses on gender issues, queer postpornografiche filtered and from our perspective of foreign everywhere, Italian, belonging to sexual minorities (lesbian, for example) and practicing pathological behaviors (sadomasochism, hypersexuality, promiscuity, ...). We have always tried to make a living from the experience, personally experienced, poised extreme emotionality, believing in every personal and political clashes with our limitations, fears, follies, but also our excesses and our courage . We live sexuality as a communication language, knowledge of self and others, but also as a filter to understand reality, as the territory where they face outline and powers, and especially as space of expression and poetry.

undisciplined is a project that uses different languages, dall'audiovisuale performance. We participated in several collaborative projects with artists of the post-porn Pornoterrorrista English as Diana, Post-op, Quimera Rosa, Esperanza Moreno, Klau Kinky and representatives of the contemporary theatrical scene as Ximos Flores and Isaac Torres. With the live video we polluted areas of celebration as "pornoshot", "clitpower", "antiserum", "stonewall contraataca", collaborating with DJs such as Efealcubo (La Boucherie, Rosa Pacheco), dj Dorothy, Thorazine, and as vj Mac vj, vj StormBootnEt.

Pornodrama In 2009 we created a performance that aimed to subvert the economy of pornography and viewing the relations of desire in the age of capitalism codes, giving visibility to the drama of choice and the cruelty of freedom.

Videoarmsidea is part of the audiovisual performatica Ideadestroyingmuros project, which is committed, among other things, to organize meetings like Interferencias viscerales, practicas de lo subversivas monstruoso and kafeta Transfeminista to translate texts such as Valencia and Anal Terror of Beatriz Preciado and One of the hidden side of lesbian sexuality Pat Califia, a cultural activist and a militant poetry.

PERFORMANCE
PORNOCAPITALISMO

The audacity and madness of capitalism they have given the authority by transforming their bodies.

bodies of women, gay, lesbian, transgender, bisexual, queer, sick, insane, disabled, anorexia, fat, too ugly or too beautiful, children, perverse, foreigners, punks ... as territories occupied and controlled by constant manipulation that affects all levels of perception of reality and existence. The communication has become a commodity, the relationship of distrust and surveillance reports, the contact end, the life experience aside, the desire for a statue and the demand for synthetic participate and be accessible only in the logic becomes the tangent. The mediation of power and distortion so by emptying the old ideologies and efficient cleaning of the history and consciousness, proposing an ethics of the show where the only thing that matters is profit. Sexuality itself embodies the codes of this policy of bodily dead. Since rejection of these mechanisms and mediating between the head and viscera rework our bodies and our minds with a feeling of love and crazy with a recklessness charge of poetry. The idea of \u200b\u200bPornocapitalismo is a visible manifestation of an urgent review of the concepts of politics, economics, social struggle, and life itself, in order to reinterpret the present, rediscover a common ethics and project that still has no name.

VIDEOARMSIDEA

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SYLVIA Di Ianni - MariaElena MASETTI Zannini

Sylvia Di Ianni

versatile artist and visionary, graduate student in scenic design at the Academy of Fine Arts in Rome, began his creative career young, initially investigating through the arts, the dream and its different meanings and to develop in his way a particular propensity towards the expressive communication of the body, developing artistic performances even extreme body art.

Student artist Mimmo Fish (guest artist at four years at the Palazzo delle Esposizioni in Rome in 1976, among the first to have proposed in the 60 performance measures in-Italy), with whom he worked as a performer, in September 2009 organized the first Festival of Italian art Bodyperformance "mutations Profane "at the Teatro di Roma Clock together with artists and Kyrahm Julius Kaiser. His research comes from a detailed study of the psychological dynamics in which children's development branch, in turn, issues such as identification puerile perversion / repulsion with the image of the doll ("GrotterLesque" Lilith Spring-performance artist with a guest Extreme Gender Art in 2009 and Lady Fest Rome), the imaginative universe of a girl imprisoned in his own solitude (project "The Circus of Sulfur Dreams" by Richard Lopez), the Stockholm syndrome, both in the possession of the archetypal figure of the nymph fleeing in a contemporary (performance "Psychic Nympholeptoy-defloration"), both in the dynamics of obsessive claustrophobic ties between victim and perpetrator (performance "Jumping on the ground").

directs artistically designing the entire system of performative multidisciplinary show "SS", a show on the Stockholm syndrome camps of Nazi concentration camps prostitution written and directed by Mariaelena Masetti Zannini, currently toured in several Italian cities. Also participates in numerous events of contemporary art and body art and happenings, including "Female Extreme body art", "Dr Schetcy's anti art school", "7 Naples Tattoo Expo 2010," Towards the other, "" Night Italy and cultural guerrilla "(Mark Fioramanti-Palazzo delle Esposizioni.

Mariaelena Masetti Zannini

author and stage actress and circus calculated among its most significant partnerships that the National Centre of contemporary drama and the directors of the Berlin Theatre Inverso, among the research companies most successful in Europe.

Winner of literary prizes, national media has created works in verse as the Top End (Cinecittà-theater Teatro Manzoni, Rome), thus beginning a journey of intense collaboration with companies such as Cirque du Soleil and Circus Circus Bosch (Biennale Venice), with whom he has brought to light the project was now caprese Wrath.

An unpublished work that starts from his literature search poetic invention to flow through the melting of music, literature, acting and performing.

The idea of \u200b\u200bsetting the story in a natural setting as the cove of Punta del Faro Hull means in its determination to decontextualise a technical language, by causing the breaking of the schematic academic risk invents the power of ideas.

And so comes up again, with the same philosophy for art projects such as those fed by collaborations with the painter Giancarlino Corcos Benedetti, with whom he has led the way for the homeless of Rome (which actually recited with the actors) in small theaters capital and other visual artists and the contemporary scene.

In his latest research work investigating, thanks to close cooperation with the versatile artist Sylvia Ianni, the scope of performance art and body art extreme.

The latest work she has written and directed-SS, a show on the Stockholm Syndrome in Nazi concentration camps-just see Di Ianni committed to performing the entire system design.

PERFORMANCE
"family pictures" of Mariaelena Masetti Zannini, Sylvia Di Ianni with Nicola Surber
(Sculptures scene Mimmo Fish)

The work born as a contemporary interpretation in the form of a tableau vivant of the framework known as Las Meninas of the English painter Diego Rodriguez de Silva y Velazquez (1656). The Rise of the death of Las Meninas is the last page of a huge family of blue streaked with blood red. In the matriarchal lineage ties back like that, obsessively, in a hall of mirrors where the audience is none other than the source, its inevitable prosequi. Born as a free interpretation of the famous work of Diego Velasquez, better known as Las Meninas (1656) stands today, in new guise, as Atemporanea While analysis of a thin, overlapping voices of mothers in childbirth, or the same lines, killer. The link originates matriarchal psyche soul and flesh as it is able to destroy them but it is a phenomenon that dominates and subdues Superior and, above all, back in the perspective of a that assists, at the gates of a past that watches, helpless. The Stockholm syndrome is melted, without much obvious, in that of Stendhal. The picture is so alive and breaks the boundaries of a defined frame that nailed the canvas, for enjoying the glassy eye of him who looks up at him tears. And 'the artist, the subject or the viewer the true protagonist of the picture? Little Margaret of Habsburg and his mother or the mother who waits in which he sees himself? We are victims or perpetrators of the imagination of the painter who glorify the act? We should only blame the mother, now, let's look at a fixed point that seems to mobile.

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LISA ABOUT

Lisa Doll Chi @ NABA (MI)

Born in the province of Bergamo in 1984, he studied and experimented all the techniques of painting at the art school A. Fantoni of Bergamo. By attending the course in Visual Arts at NABA has the opportunity to discover the ability to mix different techniques, including digital workshops and courses and to carry with contemporary artists such as Marcello Maloberti, Marina Abramovic, Radek Communit. Received his diploma in Media Design in 2009 at NABA (Milano) with a thesis on artistic experiments linked to surveillance technologies. This research the approaches to the theme of social deviance in its complex and infinite interpretations and allows you to discover how the arts contribute to the development of the hidden potential in new technologies. He currently lives in Milan and is involved in visual arts.

SOLO EXHIBITIONS 2011 "Pediofobia. Who's afraid of dolls? "Sponsored by the city of Bergamo, Space Polaresco, Bergamo

2010" Sic et simpliciter ", Marrakech Cafe, Milan

EXHIBITIONS

2010
" Signs 20x20 "edited by Massimo Sgroi, Angelo and Alessandro Mistrangelo Abraham, Bertalazone Palace, Torino
"Networking 2010 - Flexible Territories", workshop with Arnold Mario Dall'O, EX3, Florence
"Next_Generation 2010" Prize finalist Patrick Barlettani II, edited by Roberto Milani Gallery, San Lorenzo, Milan
"The voice of the body" review of Performance Art by Bruno Freddi, Osnago (LC)
"face / art. Portraits in the Age of Facebook "by Roberto Quagliarella and Alessandro Neckels, Iroko Studio, Milan
" Anime Salve ", Cassero Siena, Grosseto

2009" The Future in this "collective by Alessandro Romanini, Villa Bottini, Lucca

2008 finalist the "National Prize of the arts", Accademia di Belle Arti, Catania

2006 "Remember us," Assolombarda, Milan

2005 "It's not political" by Marco Scotini with Radek Community, NABA, Milan

"The Bella Band "event at Domus Circular, Stadio San Siro, Milan

" Who Uses The Space "by Mark Scotini Stecca_Spazio Isola dell'Arte, Milan

Publications

" Pediofobia. Who's afraid of dolls? "Exhibition catalog, Bergamo, 2011

" Next_Generation 2010 "exhibition catalog, ed. Zeta Scorpii Publishers, Milan, 2010

"face / art. Portraits in the Age of Facebook "exhibition catalog, Milan, 2010

PERFORMANCE" DOLL "

The Doll - video performance from Lisa Who

The dolls are absurd characters, a beauty made of bodies exasperated unreal and ethereal perfection. Exactly what the media company is asking us to become: icons of beauty, timeless girls always neat and well dressed. The run-up to a body without defects has long been a mass phenomenon. The image sets of perfection is tyrannical; try removing everything that makes people unique. The desire to get closer to the ideal of beauty bears no joy but only anxiety and feelings of inadequacy. E 'need to ask what corresponds to today's femininity, intricate set of physical, mental and behavioral judged by Western culture as the ideal associated with the woman, and that the distinguished man. Over the last fifty years women have preferred to enter the male world of culture, rather than choosing to reconnect to a female genealogy strong but lacking in social power. Not being able to draw on alternative behavioral models, women today tend to imitate the models of femininity offered by the media: that of the androgynous woman, almost asexual, and not leaked any kind of feeling, or career woman, lost among the commitments of a tense day at maximum output until you get to that of women as sex objects with exaggerated accentuation of female characters. The woman now is a doll that he reclaims his own body and the garment, the cure, the agony, the exhibits in an attempt to find its identity.

She is a doll.

The doll is a body.

And 'the female body as an "outside".

The doll's body is separate from thought.

On the sidewalks, the subway stations, street vendors selling handbags and sunglasses, sell dolls. Possession of their virtual perspective remains motionless, watching people parading in front of me. The situation is bizarre, look at me as if I were an object and this allows me to observe all without question or explanation. Look

also without shame.

are a doll, are one body. There is no thought here, do not be afraid.

have a body, are an object.

In these moments of depersonalization can finally discover the world outside.

www.lisachi.com